Friday, August 3, 2012

Growing Pains Pt. 2 (as told and written by Prentice Mulford)



Cont-

“I didn’t understand … I couldn’t put to words what I was going through (I just felt it)… so how could I expect my friends to understand?” –anonymous

Sometimes it is necessary to look backward and live backward for a season to show you more clearly the evil of doing so. For no lesson can be learned without an experience.

It is not merely the evil of living backward in a particular locality that you will come to see clearly. Also, for the first time, you will see where you have been unconsciously, using up force, which would have otherwise pushed you forward in every sense. You’ll understand, also, after passing through this process, why weeks before visiting that place you had felt depressed, and experienced also a return of certain moods you had not felt for years. It was because your spirit was already in that place and working through this change. The culminating point was when your material self touched that locality.

All changes are wrought out in spirit often before our material senses are in the least aware of them.
You are not above error and mistake.

Power comes from looking forward with hope- of expecting and demanding the better things to come. That is the law of the Infinite Mind, and when we follow it we live in that mind. I do not mean to banish all past remembrance. Banish only the sad part. Live as much as you please in whatever of your past that has given you healthy enjoyment. You can revisit the localities connected with your past, remember and live only in the bright and lively portion of that past.

There are remembrances of woodland scenes, of fields of waving rain. Of blue skies and white-capped curling billows, and many another of Nature’s expressions as connected with your individual life, that can be recalled with pleasure and profit.

The science of happiness lies in controlling our thought and getting thought from sources of healthy life.

-Prentice Mulford

Keep Learning,
Maryam

Growing Pains. (as told and written by Prentice Mulford)




“I didn’t understand … I couldn’t put to words what I was going through (I just felt it)… so how could I expect my friends to understand what even I couldn't?”

One of the chief characteristics of the material mind is to hold on tenaciously to the past. But the spiritual mind, the real self, the spirit, cares relatively little for its past. It courts change. It expects to be a different individual in thought a year hence from that it is today. It is willing a thousand years hence to forget who and what it is today, for it knows that this intense desire to remember itself for what it has been retards its advance toward greater power and greater pleasure. What care you for what you were a thousand or five thousand years ago? Yet then you were something, and something far less than what you are today. It is like the bird that should insist on carrying around the shell from which it was hatched. Look forward.

Every regret, every mournful thought, takes so much out of your life. When we are ever going back in memory to the past and living in it preference to the present we are bringing back on ourselves the old moods of mind and mental conditions belonging to that past. Look forward.

There may be for a period a certain use for us in going back to our more recent lives, and for a time living in them. Sometime we are pushed back temporarily into some old condition of the mind, some old experience in order to make us more alive than ever to the rags and tatters of errors in belief still clinging to us. We may become for a time absorbed and swallowed up in the old life. But after a little the new mind, the new self into which we have grown during the absence, antagonizes the old. It feels aversion and disgust for the narrow life, the false beliefs and the dull, monotonous purposeless lives about it. It (the spirit) refuses to have anything to do with the old.

The new me. Going Home. (in someone else’s words)

When you live several years in any certain house or town or locality, you make a spiritual self-belonging to that locality. Every house, tree, road, or other object you have long been in habit of seeing there, has a part of that self in thought attached to it. Every person who knows you there has in his or her mind the self you make there, and puts that self out when they meet you or talk to you.
If you had years before in that place, the reputation of being weak, or vacillating, or impractical, or intemperate, and you returned to the people who knew you as such, although you may have changed for the better, you are very liable in their thought and recollection of you to have this old self pushed back on you, and as a result, you may for a period feel much like your former self.

The old you, the old former self of former years will rise from every familiar object to meet you. It will come out of houses formerly inhabited by your friends, though now tenanted by strangers; you will find it in the village church, the old school house, the very rails and fence posts familiar to you long years before. More than all it will come out of the recollection of the people who only knew you for what you were, say twenty years before, a year before; every such person strengthens with you this image of your former self. You talk with them on the plane of that previous life or self, and repress the new. For the time being you ignore yourself as it now thinks and believes; you put aside your newer self, not wishing to obtrude on your friends opinion, which to them may be unpleasant, or seem wild and visionary; you meet perhaps twenty-five or thirty people who know you only as your former self, and with all these you act the old self, and repress the new, This for a time makes the old dead self very strong, but you cannot keep this up; you cannot warm the old corpse of yourself to into life. If you try to- if you try to be and live your former life, you will become depressed mentally, and very likely sick physically; you may find yourself going into moods of mind peculiar to your former life which you thought had gone forever. Going back into your past life draws on to you the old mental conditions- the old mind- the old self of that period. But since that time you have grown a new mind- a new self, which thought and believed very differently from the old.

Cont-

Sunday, May 13, 2012

Still...


"I am glad that so much movement happens in this stillness."

Saturday, May 12, 2012

Met.

                                      " An Evening at the Met "

                                            http://youtu.be/M_rezjJRE9s 

                                                               



 Freeze Frame Shots Below.













Tuesday, May 1, 2012

The Way We Were

               "Are you really so sure about what you are so sure about?"

Katie: you'll never find someone who will love you better, believe in you more...

Hubble: I know...

Katie: Then why?

Hubble: because we'll both lose.

Tuesday, April 24, 2012

"Black" Films.




"I always give the example, if you turn on the radio today, black radio, Lenny Kravitz is not black. Bob Marley wasn't black: in the beginning, only white college stations played Bob Marley." Spike Lee

"I'd like to state that Spike Lee is not saying that African American culture is just for black people alone to enjoy and cherish. Culture is for everybody."
Spike Lee


April 24, 2012 4:13 p.m. Starbucks coffee Atlanta, Ga

Reporter: I hear that the n word was left out of the dialogue for this particular film. love && logic. Was that something you left out strategically or-

Me: No it wasn't strategic. I had my lead character Chase using the word "nigga" a total of like 3 times through out the entire screenplay. During the rewriting process ... the word... kinda... disappeared. I think "bro" is a lot more in with the times.

I smile.

Reporter: So black film.

Me: Yea... black film.

(In my head I'm thinking ... oh lord, I wonder how many times in her career she used the term "white film" But I assume it's relevant.)

I sigh and smile again.

Reporter: The history of black film... well black film itself... tells a story that challenges the perceptions of race and class in America don't you think?

Me: Yea typically, but the history of "commercially" successful blacks films also tell a interestingly different story... Don't you think?

Reporter: How so?

Me: Well ...  since my cast is predominately all black, the writer (myself) is black....the directors are black, well shit there it goes... I must have made a "black film". But the truth is... the film itself... what the story is truly about... isn't telling a tale of a black experience. The film is about love, life, decision making. Not about a group of black friends experience with black love, black life, black decision making. Just love. Love has no color. The characters just happen to be black. I apologize for my language but... I just don't want my film to be limited to, or referred to ONLY as a black film.  It's just a film... just like ... I don't know ..The Pursuit of Happiness. Is the Pursuit of Happiness considered a "black" film? Just asking. Does the term white film even exist... well outside of the black community? This film... love&&logic will transcend generations, race, age, etc. We create films with everyone in mind.

Reporter: You somewhat didn't answer the question though. What story specifically does "successful" black commercial film tell?

Me: I mean the numbers say it all. The numbers don't lie. Take a look at the ten highest grossing black films of all times, then ...take a look at a list of the 10 BEST... most artistic black films of all times. The 9th highest grossing "black" film is Little man. (awkward silence) Little man? No shade though. I believe, the common denominator between the highest grossing black films is success with largely non black audiences worldwide. Simple. I assume a white person going to see Boyz in the Hood would have a largely different movie experience then going to see something like Big Mommas House.  But that's a whole other debate... topic of discussion. And this is just my opinion. (another silence) Opinions and assholes right?

I flash one more smile at her.
----------------------------------------------------------------------------------------

The 10 Highest-Grossing Black Films of all times.

10. Are We There yet (2005) -$97,918,663
9.   Little Man  (2006) - $101,535,047
8.   Ray (2004) - $125,305,995
7.   Boomerang (1992) - $131,052,444
6.   Big Mommas House 2 (2006)- $137,047,376
5.   Bad Boys (1995) - $141,247,413
4.   Dreamgirls (2006) - $154,965,956
3.   Big Mommas House (2000) - $173,559,438
2.   Bad Boys 2 (2003) - $272,940,870
1.   Coming to America (1988) - $288,800,000

Ten Great Black Films (in no particular order)

10. Malcolm X
9.  The Color Purple
8.  Boyz in the Hood
9.  Glory
8.  A Soldier's Story
7.  Do The Right Thing
6.  Purple Rain
5.  Poetic Justice
4.  Carmen Jones
3.  What's Love Got to Do with It.
2.  Eve's Bayou
1.  Cooley High

You can find more information on love && logic (the film) at www.twitter.com/loveVerselogic www.facebook.com/a2lucyproduction a2lucyproductions@gmail.com

credits: the black youth program
What are your top 10 "films" of all times.? Leave them in the comment box.





Still...

When love was new I was terrified. When love was new I was still. I waited until it was safe to move. And when I did, it was cautiously... Calculated. Every time I get close it feels almost like heaven. Scared to fall back to earth..I am still. To be perfect ... Like an angel. Magical.. Immortal. Then it all fell apart. I started listening...To your reaction...When I tell you I need you... I love you. The still became movement... Movement that woke you even though you were not sleep. My stillness moves when I watch Your eyes As beauty is in the room...Whether it hangs on the wall or on your arm. When we became quiet our love spoke up. Now
I speak up.
I speak up. Fearlessly and honestly. I speak up.
When we stopped trying ... we became effortless